4/19/2023 0 Comments Dru from despicable me![]() The trope can sometimes provide substantial dividends, like when Quicksilver made a blink-and-you’ll-miss-it comment in X-Men: Days of Future Past about Magneto being his father that led to a huge emotional payoff in X-Men: Apocalypse.īut when a film brings these things out the blue, it is asking the audience to swallow a canonical pill without a precedent to actually make it believable. Luke and Leia in the original Star Wars trilogy). Granted, it can sometimes be used to great effect when a foundation is properly built and hinted at in order to create a mythology (i.e. It’s reminiscent of the way Spectre poorly tried to tie all of Daniel Craig’s James Bond movies together via the idea that Christoph Waltz’s Blofeld was James’ adoptive brother a fitting comparison, as one could argue that Gru is a pastiche of cinema’s greatest supervillains and what franchise has these in spades more than James Bond? It’s a plot device that doesn’t really breathe new life into a story or add extra depth to a popular character. Imagine if Gru was more wary of his brother and it turned out that Dru was working with Bratt as a double agent to capture Gru, Lucy and their adopted daughters, Margo, Agnes and Edith? Or perhaps the film explored the duality of our protagonist by driving home the point that Gru, while once pursuing the path of supervillainy, has actually had a heart of gold all along?ĭespicable Me 3 is hardly the first big franchise to fall into this soap opera trap. Sure, it’s funny to see him mess up with all his spy gadgetry, but this was a prime opportunity to dig deeper into the psyche and background of the Despicable Me brand. Why would he implicitly trust what is basically a total stranger he’s never met before to aid him in attempting to steal the world’s largest diamond? The eventual heist sequence of Bratt’s Rubik’s Cube-topped lair, while fun, is just an excuse to show how bumbling of a supervillain Dru really is. Rather than be suspicious of this identical twin he’s never met, Gru agrees to return to his dastardly ways for one more heist when Dru shows him their father’s old skintight suits and villain car (basically the Mach Five with all the gadgets it’s got on it). ![]() The appearance of this long-lost brother adds nothing new or valuable to the franchise. Even after his introduction, Dru shoehorns in the reveal that villainy is a family tradition and that their father was one of the greatest bad guys of all time, while also getting the films back onto the “despicable” track, so to speak, since Gru renounced that life in the previous installment.Īnd here’s the problem: The characters accept this development just a little too easily, which ultimately cheapens a reveal that could have helped them grow in beneficial ways for an audience that includes young and impressionable children. The only problem is we’ve seen Gru in three different movies up until now (if you count a cameo in Minions) and never once have we gotten a single hint of Dru. Said brother is Dru (also voiced by Carell), Gru’s double in every way except for the fact that he’s got a full head of luscious blonde hair and is terribly inept at supervillainy. Now unemployed, Gru finds out that he has a twin brother in a foreign country in a Parent Trap-esque reveal confirmed by his mother (Julie Andrews). In DM3, Gru (Steve Carell) and Lucy (Kristen Wiig) are fired from the Anti-Villain League when they fail to stop Balthazar Bratt (Trey Parker), a former ‘80s child star turned villain whose sense of fashion, weaponry and music is stuck in the Reagan era. THR's Guide to the American Cinema Editors' Eddie Awards
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